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Tanya Vital's Blog

Wednesday, 29 August 2012

So I only got into RADA didn't I?!

The most amazing, crazy, terrifying, fabulous thing is happening! As of mid September I am embarking on probably the most important, yet nerve wracking adventure of my career. I have been accepted to study a 1 year Masters degree course in Theatre Lab at The Royal Academy of Dramatic ArtAside from still being in complete shock I am of course ecstatic!

As some of you know I never went to Drama School because I was lucky enough to start professional work straight out of college. I've covered this in previous blog posts and I've explained that not having a 3 year Bachelors degree from an accredited Drama School has definitely affected the way my career has developed. I cannot say it has had a detrimental effect to my career because over the past decade I've had some really great jobs, but I will say that it has possibly affected the type of work I have been offered or am being offered at this point.

I have attended various short courses over the years both in the UK and America. I have spent a lot of time, money and effort on trying to develop my skills as much as possible so that I could could 'catch up' as it were, to Drama Graduates. I have done - I feel - as much as I can on my own to develop my career. I have taken myself as far as I can go holding my own hand, but now I have definitely hit that pesky glass ceiling. For whatever reason the challenges just aren't coming in anymore. The type of work I feel I should be getting at this stage of my career, just isn't swinging my way. I'm stuck in step 3 when I really should be moving onto step 4,5 and 6. 

Now forgive me - but I didn't come this far to give up at step 3. I have made myself (and my poor mum) penniless by this career (so if you're feeling generous and want to help with my fees feel free to sponsor my blog by pressing the button top right of the page).  I've been eaten alive by bedbugs literally from head to toe from having to stay in vile, grotty places whilst working. I’ve been spat at with real spit (ask Jimmy Akingbola). I've performed with a smile on my face, suffering torn muscles and an injured spine. I've lost both friends and relationships to this career path. I've been discriminated against, bullied (they tried) and treat like scum. I have given this calling everything I have, blood, sweat and tears! I've been to hell and back a million times, knocked down and I STILL keep getting back up for more - because when you have the fire of the storyteller inside your belly you simply have no choice but to pursue it - and 'I'm bout that life', so damn straight! I intend to do whatever I can - to get me where I feel I need to be after this much effort.

I've always said that you do NOT need to have attended Drama School to work and I've proven that so far. BUT! I am now resigned to that fact that I need an extra bit of oompf! behind me to take me further - you know a bit more ammo! I'm 2 foot tall so unfortunately I can't rely on my good looks and charm alone. There are much more aesthetically pleasing women out there who have taken all of the 'looks' train tickets. I can't rely on my talent alone because although I know I already have something and perhaps to a certain extent I am good enough without the MA - what does it matter how good you are if you cannot be seen or if nobody is willing to give you a chance? So this is why I have decided to do the MA, to see if training is the clincher.

I'm not gonna lie of course I chose RADA for its grandeur and association with being one of the best Drama Schools in the World. Having it on my CV won't look too shabby, but I also chose it because I have always wanted to train there. They have a great reputation and have turned out some really great Actors such as Anthony Hopkins Sean Bean, Ashley MadekweMarianne Jean-Baptiste, who have all done some truly great work - work that I want to do! I already know and have worked with some of the teachers from RADA on other projects and they are fabulous, their teaching skills are second to none (which you'd expect from such an establishment). I have always respected the school's work ethic and history and to sound cheesy and cliched - this was my destiny.

Now what to expect? (Besides COST! - £10,000)

We've all heard the horror stories of Drama Schools breaking you down to nothing and building you back up again - whatever that means?! How they change you and perhaps mold you into some kind of thespian zombie and release you back into the world ready to mash up some Chekov, but lacking the previous social skills and personality you once possessed. So yeah - I am worried as to what they are actually going to 'do' to me when I get there. I'm a tough northern soul and I'm not ashamed to say I'm stubborn and can be very set in my ways. It's taken a while, but I'm at the stage where I quite like me and I don't actually want to change... but they told me in no uncertain terms in their posh yet terrifying RADA voice "You must be willing to change" - gulp! How much "changing" can one do in a year?! Guess I'm going to find out.

I'm scared! But this is definitely going to be an investment and the challenge I was after. I will be in the arms of experts and I am looking forward to the breathing space of education once again. I will be getting top class education and it's going to be tough but I'm ready for it! I'm ready for my floppy Morrissey hair cut. I'm ready for them to dissect every deep dark secret of my life and have me cry in front of complete strangers. I'm ready to roll around on the floor and make animal sounds - my old bones might not be but I am! I'm ready to be told that actually - I'm not as 'ready' as I thought I was! I am ready to be part of the "RADA darling RADA" clique.


Saturday, 25 August 2012

Y'up Mush! (Change your accent part 3)

"Y'up Mush!" colloquial Bradford slang for 'Hiya mate how's it going'?

'Mush' - An old Romany word, meaning "my good friend".

"He's a right Chava/Chavo" - colloquial Bradford slang for 'he's really common'.

'Chav'  - has its origins in the Romani word chavi meaning child/youngster or chavo meaning boy.

The above picture chosen for this blog was chosen for its ambiguity. I googled the term "Yorkshire Person" and out of the top few images that came up not one of them looked like me. This has been something that I have lived with most of my life. Not to say that there aren't people in Yorkshire that look like me - there are! Tons! There are many descendants from the Caribbean, India, Pakistan, Afghanistan, Romania, Africa and now more recently Eastern Europe. But if we were to go on what we are being or have been shown in the media, you would sill believe that the biggest county in the whole of the UK is full of Seth Armstrong (Emmerdale) types living on farms.

If you read my posts regularly you will know I speak of 'types' a lot. For the longest time in my career as an Actor I was trying to figure out my 'type'. Where was my place in stereotypical society, what was my niche? As a novice in the industry I clung to the most obvious ones with the most obvious and cringe worthy names such as 'urban' and 'street', to which I'm sure I still belong. But as I got older and more experienced in my career, I began to realise that actually - there ISN'T really a stereotypical media 'type' I fall under. It is in fact a mix of a few that I have fused together in my own head. The 'type' I thought I belonged to, as far as Acting goes, doesn't really even exist!

In my mind I would fall under such umbrellas as: Urban, street and gritty. You know all the crappy terms that describe poor black culture/art. But then I would also fall under: Northern, working class, brassy, 'salt of the Earth, common. You know, all of the usual stereotypical terms that describe poor white culture. So for looks  I'm one box and for personality I'm the other, which is a big problem for casting (by today's standards in the UK).

Now forget for a second that I am of dual heritage (get me about "duel heritage"! Took a while for me to get into saying that). Forget that I am both black and white for a minute (this is not the time to argue the toss) and focus on the 'of black descent' and 'northern'. 

So just to be clear we are focusing on 'black descent' and 'northern'. 

Now I'll give you 30 seconds to think of 10 people in the media  (Actors, Sports Personalities, Musicians, Presenters etc) that are of  'black descent' and 'northern'. Get ready - no cheating - GO! 

Now whether you used the timer or not I bet you had a difficult time naming 10. You probably got 5 tops and most of those were from Xfactor, Corrie or very recent Olympic winners? Am I right? And even they were mostly very light or mixed race females am I right?

I reckon I'm almost right! You see on the whole northern people "of colour" don't seem to exist in the minds eye of the media. We have the 'urban, street, gritty' black people of the south in one hand. You know your Top Boys, your Kidulthood's that kind of thing. Then we have the working class, socialist, 'salt of the Earth', white people from the north in the other. Like Kelly from 'Misfits', things like 'Trollied' etc. Two separate entities and as it seems never the twain shall meet.

There is still prejudice against northern accents and even more so a 'north/south divide'. It's 2012 and the way people in this country speak about accents, (particularly northern ones) is shocking. It's almost a form of racism and definitely a prejudice that is overlooked, (I say racism because to my knowledge we do not have a word for prejudice against accents, but it is THAT serious). I get asked all the time - by southerners "do you ever have to change your accent?" or "are you keeping your own accent?" It always makes me laugh and sometimes I ask back "yes are you keeping yours?" The look on their faces is a picture! You see it would never enter someone with a southern accent to change theirs unless the part required it, yet with northerners its expected, required or not. There is an unspoken tradition/train of thought that a northern accent is bad, undesirable and low class. An expectation that I should somehow be ashamed of my accent and try and hide or alter it as a southern accent is more desirable and has connotations of high class.

I'm so adamant about keeping my accent and being a pioneer for northern performers standing by their accents, that I almost go Seth Armstrong myself when I'm working. I first noticed it on 'Kerching!' I was surrounded by southern Actors. Some cockney even, which is just as regional! Hearing these accents and my flat, broad Bradford accent at the side of theirs, I realised that I had unconsciously started making my accent even stronger. As if my unconsciousness was staking a mini protest that my accent was here and staying. Luckily the people at Kerching! embraced my northern-ness and even incorporated it into the show, but not everyone is as forthcoming.

In Bradford we have a huge melting pot of so many cultures, especially for a small city. All of this has had direct influence on the language we use, our slang and the way in which we speak. And as everybody else does, we speak differently depending on who we are speaking to. We all have a 'phone voice' and a 'speaking to our nan voice' etc. Amongst others, a big influence on some of our language has come from the Gypsy/Travelling community, so words like mush, chava, cushti bari will mean nothing to most of you but most of my Bradfordians will know exactly what I'm talking about (even the posh ones who pretend they don't)

Slang, accents, colloquialisms all take time to be established. Unlike with the world of twitter and facebook, traditional slang took lifetimes to be passed down and rooted. There is history in those words, there has been struggle and there is meaning. Accents have history and a story behind them. For someone to assume that we have no history, no culture, no story or presence, or that none of those things are valid because we don't have a southern accent is frankly both arrogant and uneducated.

So whats my beef?

Well my questions started when I saw this picture of Jessica Ennis and her family. I saw her dad and saw a black man. A black man who was probably born and lives in Sheffield South Yorkshire. A region of Yorkshire that has a strong accent. Then I realised that we STILL have hardly any black northern personalities on the TV. Yeah we can assume that Jessica's father is from a Caribbean background and has a way of speaking that is both bits of patois and standard English, but there is still going to be some Yorkshire pud in that talk. Where are the men like him on our screens? Where are the women?

The last part of advert below shows a guy called Desmond I think and he was featured on a show called 'Make Bradford British'. Didn't watch the show because I didn't believe in the agenda, but this is just one example of how 1 black Bradfordian speaks and guess what? He's a proper Yorkshire pud! Yeah sure he too probably goes in and out of broken patois but he is as broad as the day is long.

I want to see more variation on the northern stereotype on our screens! I want to see a Rastafarian Landlord in the Rovers Return. I want to see my Aunty Regina sat on the checkout on 'Trollied' (not literally she can't act). I want to see my mate Dermot teaching his kids on Waterloo Road instead of always drafting in a southern teacher (who would NEVER come up here to work on a northern wage anyway). I want to see Milky's dad on 'This is England'!

As long as I live I will keep my accent. Of course if a role requires me to adjust it I can and will but, beyond that nobody will ever make me feel ashamed or make me turn away from my history, my roots, my culture or my background.

If it's good enough for Sean Bean - its good enough for me! 



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